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Mentioned in AniMat’s Crazy Cartoon Cast: The New Normal (2020)

Plot

Two Harkonnen sisters fight against forces that threaten the future of humanity and found a legendary sect that would become known as the Bene Gesserit. Whether they’re exploring the stars, escaping a dystopia, or making the world a better place, these women are what science fiction is all about. This series may be based on the novel The Sisterhood of Dune by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it’s the first installment in the Great Schools of Dune trilogy and tells the story of how the Sisterhood of Rossak evolved into the Bene Gesserit. Let’s get it straight: the reaction to the perceived «DEI policies» in this series is not only exhausting, but also fundamentally wrong.

Visually, it’s stunning

Anyone familiar with Frank Herbert’s world of Dune knows that women, and the Sisterhood in particular, have always been at the center of the story. This isn’t some modern “remake” to appease viewers—it’s in the very DNA of the story. Complaining about women in power is like criticizing sand for showing up in the desert. If that makes you uncomfortable in any way, it’s worth considering why that is. With that in mind, let’s focus on what’s important: the show itself. The art direction pays homage to the bold aesthetic of Denis Villeneuve’s films and creates a seamless visual connection to the wider Dune universe.

It’s an intellectual, slow-paced story that rewards attention without ever feeling overly indulgent

The cinematography feels ambitious yet intimate, balancing gorgeous, sweeping shots with more personal, intimate moments. Sure, the CGI shows its budgetary limitations at times, but the overall design is so sharp and thoughtful that it doesn’t really matter. It’s not perfect, but it’s close enough to make you feel completely engrossed. The writing, while not as philosophically dense as the main Dune saga, respects the intelligence of its audience. It doesn’t simplify or dilute the complexity of Herbert’s world to meet the expectations of newcomers. Instead, it leans into the power dynamics and political intrigue that make The Sisterhood so fascinating.

This is not a watered-down reimagining—it’s an honest, ambitious continuation of the world he built

The last 20 minutes of the first episode in particular deliver a level of tension and payoff that captures the spirit of Dune at its best—multi-layered, gripping, and quietly monumental. What sets this series apart is the way it uses the Sisterhood to explore another dimension of Dune’s vast universe. The political machinations are more prominent here, offering a fresh perspective on the power dynamics that often drive the larger story. It has shades of early Game of Thrones, but with a distinctly Dune sensibility: less gratuitous, more thoughtful, and deeply engaged with the philosophical questions that define Herbert’s work. The cast is a compelling mix of veterans and rising stars, with some standout performances that suggest greater things are to come. As for the adaptation itself, it’s clear that the filmmakers have taken great care not to compromise the integrity of Herbert’s vision.

Trust me, it’s worth the effort

Of course, newcomers may be put off by the dense story and dark politics, but for fans of Villeneuve’s books or films, that’s part of the appeal. For those already invested in Dune, this series feels like a significant expansion—a chance to delve deeper into the nuances of Herbert’s universe. If you’re new, it’s a worthy entry point, though you may have to work a little harder to keep up. To the critics who cling to outdated criticisms: strong heroines aren’t a threat to the story – they’re the foundation of it. Maybe instead of complaining about them, take a moment to think about why their strength is a challenge.

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